FRICTION welcomes ALICE CAMPBELL from EDGE BOOKINGS. Alice Campbell is a fresh face to the DJ community in Melbourne, yet definitely no stranger to the dancefloor. Alice’s knowledge of good music and what gets a crowd going is her strong point and we here at Kiss are keen to see what sounds she selects for her guest mix and have a chat about what she is up to in the production world.

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(Edge Bookings)

Since her debut in May 2018, Alice Campbell has been heating up dancefloors all over Melbourne with carefully crafted sets that are melodic, emotive and full of energy.

As a student at SAE studying audio engineering, she is far from being ‘just another DJ” on the scene. Drawing inspiration from artist’s such as Atish, way out west, how, Oliver Schories, jan oberlaender, and an array of local DJs and producers, she is already producing original tracks and is even laying down her own vocals.

Her passion and dedication to her craft has earnt her gigs at some of Melbourne’s most respected venues, including My Aeon, Killing Time and Sooki. Fresh from her first international gig in New Caledonia where she played District Nightclub and Bodega Del Mar, this is girl is fired up and is quickly becoming a superstar in the making.

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Remember to keep tuning into Friction every week as we welcome the following guests up to the Friction waves.

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For east-coast Australian born B-tham, his profile has emulated an impressive array of progressive, deep and techno traits from day one with over a decade of experience. Notable around the country for his quality knowledge and solid dance floor contributions, the underground electronic devotee reigns an incredible reputation within the industry. Having also curated his record label business Late Night Music alongside Kazuki who together keep enthusiasts alive with solid music and a history of Dept of Late Nights events, B-tham is delivering electric quality to the scene. Delivering a catalogue of forefront tunes from clubs to the stage, the B-tham name has engaged an enviable list of top bill spots and support shows for Robert Babicz, Dubfire, Nicole Moudaber, Henry Saiz, Nick Curly and more. He has graced stages at Subsonic, Rabbits Eat Lettuce, Burning Seed and Electric Gardens while stepping behind at the booth at iconic clubs from Melbourne’s Revolver, Circus and Breakfast Club to Dragonfruit in Brisbane, WeLove and SASH in Sydney and Canberra’s Mr Wolf. Early 2018 also saw B-tham invited to play the Melbourne show upon the Circo Loco summer tour. Keeping those progressive, deep tech and all round underground electronic fans rolling, B-tham has spent a heavy part of his career on radio and in studio production, striving to bring pioneering music to the masses at Raw FM, Energy FM, with a current residency at Kiss FM with his Friction show, along with an array of remixes and original releases. With summer on the way, also comes the highly anticipated ‘Thanks Atum’ release via his label Late Night Music and his unofficial remix of Massive Attack’s ‘Unfinished Sympathy’ gaining support from pioneers Chris Fortier, Be Svendsen, Robert Babicz, Jamie Stevens and more, setting up the 2018/2019 festival season just nicely.

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