Punk Electronica ft. Capitan

Calling the lovers of the exponentially expanding underground.
Join us this Thursday as we continue our explorations of genres, sub-genres and cultural influence in modern underground electronic music.

Sub-Genre Explorations: Punk Electronica ft. Capitan

Back in the studio with me tomorrow is my dear friend and long-time musical campadre, Capitan.

Never seeking validation of the dancefloor rather, Capitan plays to the beat of her own crude and brute drum. She is in constant exploration of the roots of different movements while in large part influenced by her love for oddball, grunge and south American sounds.
Many reasons to love and respect what she does.

Tune in for my top picks and Capitans’ interpretations and explorations of the influence of Punk in underground Electronica.

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Sophia Sin

Having spent a large part of her formative years experiencing the pure, personal joys of merging vinyl together in her bedroom whilst amassing an aural arsenal of spellbinding records, Sophia made a fateful decision to let go of what she had (the epic collection) in order to finance her expansive vision (sharing and creating music that means something),
That leap of trust has been rewarded – aside from music festivals and other special events, Sophia holds down wheel-spinning duties at multiple venues, including her almost five year residency at legendary Melbourne institution Revolver Upstairs. Her burgeoning reputation (and infectious enthusiasm between the monitors) has also given Sophia the chance to share line-ups with some of the most respected international names in the industry, including Stimming, Maceoplex, Alexkidd, Jay Lumen and Mark Henning.

And now the next step has recently been taken in Sophia’s music affair: a left field production career that eschews the usual ‘paint by numbers’ playbook (and strictly-enforced ‘genre defining traits’) of cookie cutter releases.

In creating a soothing-but-not-saccharine alchemy of her voice and her own music recordings, she has remained true to her diverse inner soundscape whilst assembling a “world-ly” style that funkily-straddles the border between dubstep and triphop, with a loving nod to tech and deep house thrown into the brew for good measure. With her first hit “Singing In The Rain” reaching the top 10 in the beatport Chillout charts, she is only getting warmed up to bigger and brighter musings.

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